According to the Internet Movie Database, of the 1,097 films made in 1940, 32 fall under the headings of horror, science fiction or fantasy. They are:
A Macabre Legacy
Before I Hang
Beyond Christmas
Black Friday
Chamber of Horrors
Crimes at the Dark House
Dr. Cyclops
Drums of Fu Manchu
Earthbound
El monje loco
El secreto de la monja
Enoken no songokû: songokû zenko-hen
Fantasia
Flash Gordon Conquers the Universe
Men with Steel Faces
Mysterious Doctor Satan
One Million B.C.
Pinocchio
Sky Bandits
The Ape
The Blue Bird
The Devil Bat
The Fatal Hour
The Ghost Breakers
The Human Monster
The Invisible Man Returns
The Invisible Woman
The Man with Nine Lives
The Midnight Ghost
The Mummy's Hand
The Thief of Bagdad
You'll Find Out
It's time this blog started living up to the 'biased' part of its name. Luckily, here we are in 1940, where one of my bigger prejudices finally emerges, full blown and unreasonable. 1940 is the year Disney's Pinocchio and Fantasia were released, but I'm not going to discuss them because I'm not interested in Disney, except in their capacity as a destructive influence on fantasy cinema in general and children's films in particular.
I don't like their cryogenically frozen founder or his tattling to HUAC.
Or the way they dumped toxic waste in the Florida Everglades on the outskirts of their Magic Kingdom.
Or their inauguration of a new James Woodsian tradition of unrestrained and unamusing voice overacting, since made even more shouty and overbearing by such luminaries as Eddie Murphy (this generation's Arthur Askey).
Or their Mouseketeer child stars who grow up dysfunctional in public, get breast implants before they hit puberty, and end by shrinking the ever-closing gap between the music video and pornography even further on their way to complete breakdowns and/or rehab. (Above left: that isn't a still from Blue Sunshine

Or the fact that they now own Marvel Comics (unless they break Diamond Distributor's destructive monopoly on comics, which I suppose they just might).
And I don't like Disney animated features.
Well, except for Sleeping Beauty. I like the dragon and the bramble forest and the evil queen.
Oh, and Atlantis -- Atlantis was okay.
And Winnie The Pooh was quite nice.
But, boy, they sure ruined Alice In Wonderland, Peter Pan and The Wind In The Willows, three peculiarly British classics that American animators should never have been allowed to touch.
Of course, now that I think of it, the Headless Horseman half of Ichabod and Mr. Toad was better.
And their live action Child Of Glass is one of my favourite children's films, and still holds up for me even today. Wish that was on disc...
Also wish there was some information available for these Mexican horror films I keep seeing mentioned when I generate my Internet Movie Database lists for each year, but apart from their titles and personnel I can't find anything anywhere on the net (not in English, anyway).
And, finally, I wish there was something else to say about 1940, but when The Mummy's Hand is as good as it gets, it's a pretty miserable year for fantastic film. The Bob Hope/Paulette Goddard The Ghost Breakers is entertaining in a non-life-changing kind of way, but the title and the presence of Hope probably tell you all you need to know about it. Otherwise, apart from Republic's not-as-good-as-it-should-have-been Drums Of Fu Manchu serial, the year was one long round of mad scientists and lizards dressed up to look like dinosaurs (One Million B.C.), which is not my idea of a good time. I didn't read about a single film I feel compelled to add to my Want To See list. So we close the book on 1940, and it's onward to 1944 and backward to 1939.
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